“I think the most important and most crucial advice was to be patient and notice all the advancement, not just major advancement,” T.I. With an impressive resume, clear-cut vision, and a live show that was already gaining a reputation for unbridled energy, Travis Scott was brimming with creativity and ambition that outpaced his status in rap’s power rankings. All we did was try to place the settings for him, and the magic happened.”īy 2014, Travis had already built a small but rabid fanbase off the strength of his Cruel Summer placements and a strong debut project of his own, Owl Pharaoh, which yielded a handful of true-blue bangers (“Upper Echelon,” “Uptown,” “Bandz,” “Quintana”) and proved that he did indeed have a singular aesthetic, plus room to grow. It ain’t a whole lot of orchestrating or curating that you could really do around Trav. If he called, he usually called to say what he from me. “Walk him in doors, introduce him to people, create opportunities. “All we could do is offer relationships and resources,” T.I. Travis was introduced to 1st by his Grand Hustle label boss, T.I., who, even by that early point, had resolved to provide Travis with any logistical help he could, and otherwise stay out of his way. But it’s just like, we’re about to do this for real. Everything is always serious.” He clarifies: “Of course. There’s never been a time we’ve ever bullshitted in the studio. “I just remember bro being focused,” he says. Thinking back on those days now, the Atlanta producer recalls how intensely Travis was locked into his work. “Are you going to help me or not?”ġst has production credits on nearly every Travis Scott project to date, and the sessions for Days Before Rodeo marked the beginning of their fruitful relationship. “I’m on a mission,” FKI 1st recalls Travis expressing to him. Instead, he delivered a project that many fans still use as the gold standard to compare the rest of his albums to: Days Before Rodeo. August 2018 solidified Travis as a superstar.įive years ago in August 2014, Travis Scott was presented with a similarly high-stakes, career-defining moment-one that, had he not conquered it, might have stalled him out as a compelling G.O.O.D. 1 most sought-after feature as reminders. We all know how that worked out: There are showstopping Grammy performances, Super Bowl halftime appearances, and a current status as rap’s No. His third studio album presented the opportunity to either vault him into the A-list stratosphere or leave him stranded in the upper-middle class of rap. Much has been made of the career crossroads at which Travis Scott found himself in the waning days of summer 2018, before the release of ASTROWORLD. Or, to let Travis himself tell it: “I might fuck ’round, lose my mind. Music compilation, Cruel Summer.įast-forward a year, though, and assisting legends while producing for a new class of stars like Wale and Big Sean wasn’t satisfying enough. Not a bad collaborative resumé for a Houston native whose breakthrough moment had come just a year prior, on West’s G.O.O.D. The albums he references were among the biggest of 2013: JAY-Z’s Magna Carta Holy Grail, Wale’s The Gifted, and Kanye West’s Yeezus, the latter of which represented a sonic shift that Travis has been credited with at least partly inspiring. 1 albums, woulda thought I’d feel amazing, still impatient.” Over ominous organs and keys, Travis Scott saunters into the frame and details his restlessness: “After three No. Whether you are listening to the best country love songs (that’ll have you crying in your beer), the most patriotic country songs of all time (that’ll have you crying to the fireworks show), classic summer country songs that never get old (that'll have you crying anywhere) you're sure to connect with the story-telling in these songs as they take you back in time to the era of Beanie Babies, Tamagotchis, Friends, and Sex and the City.Days Before Rodeo opens with a dark prayer. Later in the '90s, we saw lots of traditional country music-pop cross-over with artists like Faith Hill, LeAnn Rimes, Shania Twain, and the Dixie Chicks coming on to the scene and bringing a boom in country music popularity with them. George Strait, Lee Ann Womack, and Toby Keith kept plenty of traditional tunes coming our way. It was quite the big decade for country music too. And if you were listening to country music in the '90s, hits by Shania Twain, Garth Brooks, Trisha Yearwood, Travis Tritt, Martina McBride, and Brooks & Dunn (and so many more!) sure will do just that. There's a certain power that music has that to take you back to a high school dance or summer camp or wherever your memory places a particular song, along with all the lyrics you forgot you even knew.
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